We are back in Alpine, TX and I have started a still life painting. Above is the poster study. Anxious to see what happens to my work outside of class.
Ashby, aka Wayne, sat for the Ryder Studio for a two week intensive portrait class. Although I didn't finish this during the class, I was able to get him to sit for an extra day. Oil, 8"x 10"
In the Ryder Studio, on a "normal" day, we work on our portraits in the morning and figure drawing in the afternoon. During the last two weeks, I've been working with Randy in incandescent / halogen lighting. These are the two pieces I completed.
These were from our alla prima class (and some extra sessions outside) each one is a 3 hour pose, 8 x 10 (except the one above which is 9 x 12) It was aerobic...oil sketches.
We painted a number of quick portraits, generally about 2 1/2 hours when you count the model breaks. Changing costumes, background and lighting made it fun! These are all Raven, and 8 x 12.
Last week we spent the whole week working on our own still lifes. As always, I set up still lifes a bit more complicated than necessary. I'm calling it "Understanding Modern Art". Somewhat tongue in cheek, that is the name of the book in the still life. 12"x12"
Today was supposed to be our last day working on our portraits of Rose. But, yippee!, we get to work one more day next Friday. So here she is. Next week, I'll work on getting some sparkly highlights in her hair and some minor tweaking all around.
We are down to the last week of form painting. So far it is coming together. Photo shows a bit of drying in (matt areas where the oil from the paint has sunk in) which will be taken care of with a bit of retouch varnish. Using a small round nylon brush with opaque mixtures of oil paint. Sometimes I'll use a tiny bit of medium when the paint is stiff and doesn't spread easily. We are working on oil primed linen canvas as our support. Mine has a bit of texture, others' are very smooth.
After studying with Tony Ryder at the Ryder Studio in Santa Fe, NM I have found myself completely drawn to the mystique of the human face. I still love landscapes and still life work, but there is a tremendous joy in working with a live model.
Painting since 1994, full time since 2000, I have studied in the US, France and England. Portraiture studies have been with Perrin Sparks of Texas and Anthony Ryder of Santa Fe, NM. I am now working with my mentor, Jennifer Welty of CA.