This painting of Paige was delivered to her grandmother before Christmas. It was originally supposed to be a gift, but "Oma" was considering keeping it. "Paige" 10"x 12" oil on linen canvas
Making progress on the form painting. Changed the background orange to a slightly yellower color. Still refining and refining, but it is looking better.
I've started some of the form painting, chosing the large block areas first. Since the background is going to remain an unmodulated orange, I started there, then the clothes. I still need to work on the finer details of the fabric. Started work on the hair for both, so I could work a bit on the edges with the orange.
"Wash - in" of painting. A full color work using oil paint thinned with solvent. A bit like a loose watercolor. Albert (left) will have different glasses, so they are not really detailed. Adam chose the background and clothing for the father/son painting.
Started work on a commission of a double portrait. One of the models is an installation artist and has particular ideas about background and what they are wearing. So I will be trying to balance my opinion with his. This is the poster study for the piece. I will be doing some work from photo, but will get the models into the studio at least once a week. Will keep you posted!
I entered these three pieces into a regional art show put on by the Kate Hoffman Art Association. Saturday, I was thrilled to learn that "Raven" received 3rd place and "Randy", 1st place in the Portrait Category. "Cherished" got 1st in the Still Life Category. AND.... "Randy" was judged Best in Show. Wow! guess those classes paid off!
We are back in Alpine, TX and I have started a still life painting. Above is the poster study. Anxious to see what happens to my work outside of class.
Ashby, aka Wayne, sat for the Ryder Studio for a two week intensive portrait class. Although I didn't finish this during the class, I was able to get him to sit for an extra day. Oil, 8"x 10"
In the Ryder Studio, on a "normal" day, we work on our portraits in the morning and figure drawing in the afternoon. During the last two weeks, I've been working with Randy in incandescent / halogen lighting. These are the two pieces I completed.
After studying with Tony Ryder at the Ryder Studio in Santa Fe, NM I have found myself completely drawn to the mystique of the human face. I still love landscapes and still life work, but there is a tremendous joy in working with a live model.
Painting since 1994, full time since 2000, I have studied in the US, France and England. Portraiture studies have been with Perrin Sparks of Texas and Anthony Ryder of Santa Fe, NM. I am now working with my mentor, Jennifer Welty of CA.